Terry Brown
Chronology of Work
1994 - Worked with FM on the live album 'Retroactive Archives Volume 1' as producer and engineer.
1992 - Worked with The Northern Pikes as the producer.
1984 - Worked with Rush on 'Grace Under Pressure' as the producer.
1982 - Worked with Rush on 'Signals' as the co-producer.
1981 - Worked with Rush on 'Exit Stage Left' as the producer, and he engineered the live show.
1981 - Worked with Rush on 'Moving Pictures' as the producer and engineer.
1980 - Worked with Rush on 'Permanent Waves' as the co-producer and engineer.
1978 - Worked with Rush on 'Hemispheres' as the co-producer and engineer.
1977 - Worked with Rush on 'Farewell to Kings' as the co-producer and engineer.
1976 - Worked with Rush on 'All the World's a Stage' as the co-producer.
1976 - Worked with Rush on '2112' as the co-producer and engineer.
1975 - Worked with Rush on 'Caress of Steel' as the co-producer and engineer.
1975 - Worked with Rush on 'Fly By Night' as the co-producer and engineer.
1974 - Worked with Rush on 'Rush' as an engineer on the 'remixes'.
Working Philosophies
Brown is known for evolving microphone techniques on the percussion section (prevalent in Xanadu - Farewell to Kings). His long tenure with Rush produced new effects for each project as Brown never succumbed to just favorites. Brown's subtle use of delays (flanging, phasing, chorusing) can be found on most of the albums he has produced with Rush. He is known to be able to capture unique spacial sounds (24 tracks that are individually placed in different places of the mix - panned, gain level, effects) as heard in '2112'. Brown has worked as both a studio producer and engineer, and as a live show producer and engineer. He was a pioneer in using MIDI applications for live performances.
Terry has established himself as a 'name' producer, and his flexibility as an engineer has made him sought after by rock acts in the industry.
Chronology of Work
1994 - Worked with FM on the live album 'Retroactive Archives Volume 1' as producer and engineer.
1992 - Worked with The Northern Pikes as the producer.
1984 - Worked with Rush on 'Grace Under Pressure' as the producer.
1982 - Worked with Rush on 'Signals' as the co-producer.
1981 - Worked with Rush on 'Exit Stage Left' as the producer, and he engineered the live show.
1981 - Worked with Rush on 'Moving Pictures' as the producer and engineer.
1980 - Worked with Rush on 'Permanent Waves' as the co-producer and engineer.
1978 - Worked with Rush on 'Hemispheres' as the co-producer and engineer.
1977 - Worked with Rush on 'Farewell to Kings' as the co-producer and engineer.
1976 - Worked with Rush on 'All the World's a Stage' as the co-producer.
1976 - Worked with Rush on '2112' as the co-producer and engineer.
1975 - Worked with Rush on 'Caress of Steel' as the co-producer and engineer.
1975 - Worked with Rush on 'Fly By Night' as the co-producer and engineer.
1974 - Worked with Rush on 'Rush' as an engineer on the 'remixes'.
Working Philosophies
Brown is known for evolving microphone techniques on the percussion section (prevalent in Xanadu - Farewell to Kings). His long tenure with Rush produced new effects for each project as Brown never succumbed to just favorites. Brown's subtle use of delays (flanging, phasing, chorusing) can be found on most of the albums he has produced with Rush. He is known to be able to capture unique spacial sounds (24 tracks that are individually placed in different places of the mix - panned, gain level, effects) as heard in '2112'. Brown has worked as both a studio producer and engineer, and as a live show producer and engineer. He was a pioneer in using MIDI applications for live performances.
Terry has established himself as a 'name' producer, and his flexibility as an engineer has made him sought after by rock acts in the industry.
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