Video Games, Ports (Interface Units), and Recording Studio's - by Moses

Video Games, Ports (Interface Units), Recording Studio’s, Technological Products and Technologies

1. Abbey Road - recording studio
2. Le Studio (Morin Heights) - recording studio
3. Trident - recording studio
4. Maclear - recording studio
5. Cherry Beach - recording studio
6. Metalworks - recording studio
7. Bearsville - recording studio
8. Studio 306 - recording studio
9. Casablanca - post-production studio
10. Deluxe - post-production studio
11. Q107 – Skylab - recording studio
12. Walt Disney Studio’s - recording studio and post-production studio
13. Lucas Sound - post-production studio 
14. Many unnamed Governments and Broadcasters - post-production studio
15. AES/EBU - American and European Protocol
16. SPDIF - Phillips (American) Protocol
17. U.S.B - Universal Serial Bus 
18. Optical – Crystal
19. Fiber-Optics - wireless communications running through transponders
20. VHF/UHF – Antenna
21. M.I.D.I – Musical Instrument Digital Interface
22. Turtle Beach (sound-card)
23. Sonic Solutions (advent of DVD Authoring)
24. Atari - video game software, arcade machines, video game consoles
25. Williams - video game software and arcade machines
26. Sega - video game software, arcade machines, and video game consoles
27. Nintendo - video game software, arcade machines, and video game consoles
28. Colecovision - video game software and video game consoles
29. Intellivision - video game software and video game consoles
30. Activision - video game software 
31. C.I.S.C.O - Servers
32. Apple - home and business computer solutions
33. Olivetti - business computer solutions
34. I.B.M – Internal Business Machines - home and business computer solutions
35. Hewlett-Packard - home and business computer solutions
36. Commodore - home computers
37. Seagate Barracuda - multi-channel hard-drives (ie. 16 copper inductance channel-lines in one server)
38. Tascam - 8-Track Digital Modules and 2 inch tape (tape consoles) + outboard gear
39. Alesis - 8-Track Digital Modules and Monitors + outboard gear
40. Yamaha - technological product manufacturer
41. Akai - technological product manufacturer
42. Sony - technological product manufacturer
43. Canon - technological product manufacturer (including cameras)
44. Maxell - cassette tape manufacturer
45. TDK - cassette tape manufacturer
46. Fuji Film - cassette tape manufacturer and technological product manufacturer (cameras) 
47. Kurtzweil - synthesizer and keyboard manufacturer with sampling capability
48. Korg - T1/T2/T3/T4 lines as well as other technological products including keyboards and synthesizers
49. Hammond - electronic keyboards
50. Moog - synthesizer/keyboard
51. Oberheim - bass pedals and synthesizers
52. Solid State Logic - mixing consoles and channel-lines and other technological goods
53. Neve - mixing consoles and channel-lines
54. Westar - mixing consoles and channel-lines
55. Neotek - mixing consoles and channel-lines
56. Studer - tape consoles and other technological products
57. Marshall - amplifiers
58. Fender - guitars and amplifiers
59. Traynor - amplifiers
60. Warwick - guitars and amplifiers
61. Laney - amplifiers
62. Yorkville - amplifiers
63. Roland - amplifiers and other technological products
64. Bryson - amplifiers and equalizers
65. Harman Kardon - amplifiers and equalizers
66. Nikko - tube amplifiers
67. Gerrard - tube amplifiers and turn-tables
68. Viking - Ham Radio with tube amplifiers
69. Neumann - microphones
70. Sennheiser - microphones and head phones
71. Behringer - microphones and other technological products
72. A.K.G - microphones and head phones
73. Shure - microphones
74. Realistic - technological products
75. Technics - technological products
76. Pioneer - technological products
77. J.B.L / Altec Lansing - monitors and other technological products
78. Tannoy - monitors
79. Meyer - monitors
80. Cerwin Vega - monitors
81. Ground-lines - supported through physical cabling
82. Bell Meridian - the first cellular telecommunications solution
83. Cellular - premise of wireless signal reaching transponders to make the signal live 
84. Satellite - supporting a wireless signal from one source                                                  

Video Games

1. Zapper
2. Galaga
3. Space Invaders
4. Galaxian
5. Missile Command
6. Donkey Kong
7. Pac-Man
8. Miss Pac-Man
9. John Elway Football
10. Tommy Lasorda Baseball
11. Dragon’s Lair – Virtual Reality
12. Frogger
13. Qix
14. Tempest
15. Defender
16. Centipede
17. Teenage Mutant Ninja Turtles
18. Super Mario Brothers
19. Tetras
20. Q-Bert
21. Joust
22. Track and Field
23. Jungle King (a.k.a Jungle Hunt)
24. Asteroids
25. Star Wars
26. Speed
27. Grand Theft Auto
28. Pitfalls
29. The Body Synth–The human is the game or character/Muscles making visuals/music/Cyborg
30. Labyrinth *

* - a wooden-like video game focusing on maneuvering a ball around a maze of holes

Dimensia and Polarization 

1. Modals – Ionian (C), Dorian (D), Phrygian (E), Lydian (F), Mixolydian (G), Aeolian (A), Locrian (B)  – Set Scales
2. Octaves – Thirds, Fifths, Sevenths within a particular Mode of one scale
3. Scale to Scale – Major, Minor, Augmented Scales, and Diatonic Scales
4. Chords - Major, Minor and Diminished
5. Uni – Two Dimensional (linear)
6. Bi – Two Dimensional with Common Frequency (linear)
7. Tri - Three Dimensional (non-linear)
8. Omni – Three Dimensional with a Common Frequency (non-linear)
9. Quadraphonic – Surround Sound - front and back left and right (non-linear)
10. Pentagon – Intelligence Gathering Techniques based on Roman Times
11. Hexagon – Star
12. Septagon – Million
13. Octagon – 8^th Dimension
14. Tetragon – Dan or Highest level in Martial Arts
15. Decigon -  Highest/Billion
16. Uni-directional –  Taking in at/from one direction (linear)
17. Bi-directional -  Taking in from two directions at once (linear)
18. Omni-directional – Taking in from all directions at once (non-linear)
19. Cardioid – Heart shaped envelope (non-linear)
20. Hyper-Cardioid – Heart shape (with a Penis) for greater sensitivity (non-linear)

 Video Games - Legend

     1.  Start of Game - Life

       2.  Game Over – Death and Desensitization

       3.  High Score – Material 

       4. Increased Speed – Levels  

       5. % of hits – Success Rate  

       6. Virtual Reality – Identifying with the characters

       7. Memory – The players’ imagination and talent

       8. Discovering Hidden Screens – Conquest

       9. Confidence - Ability 

     10. Legend - Final Analysis 

Repercussions

      In the 1970’s when Video Games were introduced into our communities, the premise was simple – Kill the Alien, anything that is a threat to us - shoot an alien, shoot an asteroid, shoot a Centipede.  These games were inoffensive to most.  The person who played these games were expediting their rate to achieve high scores.  Today, most Video Games employ hand to hand combat, and other acts of violence.  When Video Games first came out there were many arcades in Mega-Cities and the usual form of playing was done standing.  Today most people play their Video Games from home-systems – usually played while sitting.

  In the Tom Clancy novel ‘Games of State’, the concern that he had was that Video Games would be used as a weapon to disorient people into believing that ‘Blacks’ should be exterminated.

  On the internet today, practically any and all Video Games can be uploaded and downloaded onto a persons’ hard-drive.  This is different from twenty years ago when a person had to buy the software.  Today, hard-drives are ports, communication devices (with internal tracking a.k.a G.P.S).  Therefore, any electronic device or cable used in our modern day carries with it a built in limiter in the Hardware (now considered a port).  This chip can be activated outside of the home (each hardware component exists within the mainframe – a software design.  Modulation (or synthesis) is used as a measure of issuing commands or triggers.  In a natural state these commands carry no meaning – in other words, passive resistance is a defense mechanism used to combat impulses.

  Closed circuit television was employed as a premise to define each Nuclear Household with respect to our programming.  In our modern day – since 1990 - we now see many 24/7 businesses.  By this perspective the psychology of our time has changed, in relation to the 70’s and 80’s (when almost 100% of the population worked a conformed 9am-5pm position), people were on the same page.  Since virtual reality Video Games were introduced, and when the Telecommunications industry became much more de-regulated, peoples’ psychology changed.  In this writers’ opinion, we’ve become desensitized to the decline of Western Civilization, and we’re experiencing gross acts of violence in the Western World as a result.  Once there is a removal of programs within an operating system, this form of sensory deprivation is essentially psychological warfare.  A rational person that consciously experiences this becomes disoriented.  This is Tom Clancy’s fear.  At the point of being triggered, or, having information withheld, a person will naturally combat.  To see things clearly is paramount.  Once time and depth perception changes, this is a form of terror.  A person will naturally deduce based on whatever stimulus their given (how a person feels) - kismet/karma - and this leads to a dangerous world to live in, home or abroad.