Five of Five
Neve Input/Output Module – Also known as a Channel/Network
Invented by Rupert Neve est.1930
Mic Pre-Amp
Bus
Phantom Power – +47 Volts
Auxiliaries 1 and 2
Auxiliaries 3 and 4
Auxiliaries 5 and 6 (Headphone Mix)
Parametric Equalization (High Range 2khz-20kHz) - with Q-Margin
Parametric Equalization (Mid-High Range 400hz-2kHz) – with Q-Margin A.K.A trajectory
Parametric Equalization (Low-Mid Range 100hz-400Hz) with Q-Margin A.K.A trajectory.
Parametric Equalization (Low Range 12hz-100Hz) with Q-Margin A.K.A trajectory
Pan Pot – Left and Right
Channel Pot (Amplification) - Source
Switch
Monitor Fader- (Monitor-interpretation of Energy Source A.K.A Satellite)
In the movie E.T, Spielberg displays how a frequency can be transmitted from earth to other parts of the known Universe (many Galaxies). A received frequency is an antennae a monitoring device. In one of Spielberg’s earlier movies, Close Encounters of the Third Kind, music is the common language of communication between Alien life and Human life. Music in its most pristine form is synthesis of sound (or Specific, quantified frequencies- otherwise known as algorithms) transmitted from source to monitor (receptor-antennae). This is transference.
Microphones
This transference is done through microphones. A microphone picks up a signal and transmits it with colorization of sound then it amplifies the signal to a recording device, or a signal processing unit (commonly referred to as mixers and effects units). Common microphones include Ribbon, Dynamic, and Condenser (with a 47 volt boost known as phantom power).
Within each microphone there are several properties;
Polar Patterns – Cardioids, Hyper-Cardioids, Omni-Directional, Bi-directional, and Unidirectional
Spider – the size of the diaphragm inside the microphone, otherwise known as the capacity of the input of the microphone
Pickup – the sensitivity of the microphone, the dynamic range of the microphone
The Protocol Used – XLR, Quarter Inch, Eighth Inch, RCA
Signal Processing Units and Mixers
An effects unit is used in conjunction with a mixer to colorize the sound of the input before the recording (the output). An effects unit is synonymous to a signal processing unit as is a mixer. A mixer takes in signals from the microphone panel and processes all effects units with respect to the microphone signal path. The final mix-down is done into 2-channels left and right and recorded onto 2-track. Feeds from the mixing board almost always carry more than 2-tracks and this entails recording the mix-down onto a larger recording device, 8-Track (Tascam DA88, or Alesis A-DAT), 24-Track (studio recordings-Sony MPX, Westar, Neotek, SSL, Neve), 192-Track (for movies- Neve Capricorn) etc.
The signal path from the microphone to the recording device is as follows;
Microphone output – Microphone Panel – Channel -Phantom Power (if it’s a Condenser Microphone) – Microphone Pre-Amplification – Bus (to Assigned Channel) - Effects Unit (Reverb) – Outboard Gear (Compressor) – Equalization - Master Channels Left and Right – 2-Track Studer, and 24-Track Master.
Each channel line uses low-capacitance, enhancing the signal on recording (depth perception, reverb, special time, tube amplifiers). Each channel is processed left and right and are mastered onto one channel (the amplifier), otherwise known as Mono. An old Neve Strip comes to mind when I think of great signal processors (otherwise known as an amplifier – Variable Gain Amplifiers / V.G.A).
Monitors
There are three types of Monitors; Near-fields, Mid-fields, and Far-fields.
1) Near-Fields – The smallest drums of the three. They usually have only one crossover point separating the input signal above to the tweeds and below to the bass drum. They’re almost always used in control rooms of studios to gage high frequency response as the saying is; should your mix-down sound good on a near-field you’re going to get a good sound on anything.
Invented by Rupert Neve est.1930
Mic Pre-Amp
Bus
Phantom Power – +47 Volts
Auxiliaries 1 and 2
Auxiliaries 3 and 4
Auxiliaries 5 and 6 (Headphone Mix)
Parametric Equalization (High Range 2khz-20kHz) - with Q-Margin
Parametric Equalization (Mid-High Range 400hz-2kHz) – with Q-Margin A.K.A trajectory
Parametric Equalization (Low-Mid Range 100hz-400Hz) with Q-Margin A.K.A trajectory.
Parametric Equalization (Low Range 12hz-100Hz) with Q-Margin A.K.A trajectory
Pan Pot – Left and Right
Channel Pot (Amplification) - Source
Switch
Monitor Fader- (Monitor-interpretation of Energy Source A.K.A Satellite)
In the movie E.T, Spielberg displays how a frequency can be transmitted from earth to other parts of the known Universe (many Galaxies). A received frequency is an antennae a monitoring device. In one of Spielberg’s earlier movies, Close Encounters of the Third Kind, music is the common language of communication between Alien life and Human life. Music in its most pristine form is synthesis of sound (or Specific, quantified frequencies- otherwise known as algorithms) transmitted from source to monitor (receptor-antennae). This is transference.
Microphones
This transference is done through microphones. A microphone picks up a signal and transmits it with colorization of sound then it amplifies the signal to a recording device, or a signal processing unit (commonly referred to as mixers and effects units). Common microphones include Ribbon, Dynamic, and Condenser (with a 47 volt boost known as phantom power).
Within each microphone there are several properties;
Polar Patterns – Cardioids, Hyper-Cardioids, Omni-Directional, Bi-directional, and Unidirectional
Spider – the size of the diaphragm inside the microphone, otherwise known as the capacity of the input of the microphone
Pickup – the sensitivity of the microphone, the dynamic range of the microphone
The Protocol Used – XLR, Quarter Inch, Eighth Inch, RCA
Signal Processing Units and Mixers
An effects unit is used in conjunction with a mixer to colorize the sound of the input before the recording (the output). An effects unit is synonymous to a signal processing unit as is a mixer. A mixer takes in signals from the microphone panel and processes all effects units with respect to the microphone signal path. The final mix-down is done into 2-channels left and right and recorded onto 2-track. Feeds from the mixing board almost always carry more than 2-tracks and this entails recording the mix-down onto a larger recording device, 8-Track (Tascam DA88, or Alesis A-DAT), 24-Track (studio recordings-Sony MPX, Westar, Neotek, SSL, Neve), 192-Track (for movies- Neve Capricorn) etc.
The signal path from the microphone to the recording device is as follows;
Microphone output – Microphone Panel – Channel -Phantom Power (if it’s a Condenser Microphone) – Microphone Pre-Amplification – Bus (to Assigned Channel) - Effects Unit (Reverb) – Outboard Gear (Compressor) – Equalization - Master Channels Left and Right – 2-Track Studer, and 24-Track Master.
Each channel line uses low-capacitance, enhancing the signal on recording (depth perception, reverb, special time, tube amplifiers). Each channel is processed left and right and are mastered onto one channel (the amplifier), otherwise known as Mono. An old Neve Strip comes to mind when I think of great signal processors (otherwise known as an amplifier – Variable Gain Amplifiers / V.G.A).
Monitors
There are three types of Monitors; Near-fields, Mid-fields, and Far-fields.
1) Near-Fields – The smallest drums of the three. They usually have only one crossover point separating the input signal above to the tweeds and below to the bass drum. They’re almost always used in control rooms of studios to gage high frequency response as the saying is; should your mix-down sound good on a near-field you’re going to get a good sound on anything.
2) Mid-fields – The mid-field monitor usually has only one
crossover point similar to a near-field, however, the bass drum is
usually twice as large as a near-field (8 inches compared to 4 inches).
They are used mainly for studio performance in the control room to gage
the low-end of the mix-down. They’re sometimes used in live sound in
very small venues.
3) Farfields - The far-field is almost always used
in live venues as they’re capable of booming at the highest amplitude
compared to the other monitors. They usually have 2 crossover points;
tweeds (high frequencies, a bass drum, and a sub-woofer (a bass drum
that is 16 inches or more).
Solar Flares
This is an expected electrical storm in and around 2011. Within every satellite around the globe they collect and transmit energy from the sun as a monitor – into source. There is much speculation whether solar flares will obliterate every satellite feed in the years 2011-2012. This will result in every communication device carrying a ground hub as backup to every current ground hub backup essentially making our communications Worldwide UHF/VHF (or Short Wave) from optical (in other words back to analog using copper capacitance) within every ground feed. Currently the largest network in place is owned by Abbey Road and Disney Studio’s.
Interface Design
Channel to Channel – Web Conferencing that is software based also known as simultaneous broadcasting.
Solar Flares
This is an expected electrical storm in and around 2011. Within every satellite around the globe they collect and transmit energy from the sun as a monitor – into source. There is much speculation whether solar flares will obliterate every satellite feed in the years 2011-2012. This will result in every communication device carrying a ground hub as backup to every current ground hub backup essentially making our communications Worldwide UHF/VHF (or Short Wave) from optical (in other words back to analog using copper capacitance) within every ground feed. Currently the largest network in place is owned by Abbey Road and Disney Studio’s.
Interface Design
Channel to Channel – Web Conferencing that is software based also known as simultaneous broadcasting.
Search
Engine to Search Engine – Input/Output module to the Master
Input/Output module is the best analogy. In other words you mix down 24
channels down to left and right.
Intranet to Intranet – One company accessing the files of another company and vice-versa (considered to be a Local Area Network).
Intranet to Internet – This is when a Local Area Network is tied to a Wide Area Network (a.k.a. the internet).
Internet to Internet – One Wide Area Network tied to another Wide Area Network. Each Wide Area Network incorporates unlimited channel splitters to accommodate growth.
It is at the point of there being more than one Internet that information is multiplexed by a Governing body to be indiscriminant of absolute truth and to allow for unbiased communication Worldwide. Accountability is also promoted in this context. For example, one internet might incorporate free long distance to their customers while another internet might promote free Cable service. Likewise, an internet that contains elements of misinformation would be less desired than an internet that had higher standards for their users.
Transponders
In 1985 Citroen, (a French Auto-Manufacturer), carried a software base in the steering wheel with a G.P.S tracking device inserted for the purpose of future infrastructure (either by Ground or by Air). It
Intranet to Intranet – One company accessing the files of another company and vice-versa (considered to be a Local Area Network).
Intranet to Internet – This is when a Local Area Network is tied to a Wide Area Network (a.k.a. the internet).
Internet to Internet – One Wide Area Network tied to another Wide Area Network. Each Wide Area Network incorporates unlimited channel splitters to accommodate growth.
It is at the point of there being more than one Internet that information is multiplexed by a Governing body to be indiscriminant of absolute truth and to allow for unbiased communication Worldwide. Accountability is also promoted in this context. For example, one internet might incorporate free long distance to their customers while another internet might promote free Cable service. Likewise, an internet that contains elements of misinformation would be less desired than an internet that had higher standards for their users.
Transponders
In 1985 Citroen, (a French Auto-Manufacturer), carried a software base in the steering wheel with a G.P.S tracking device inserted for the purpose of future infrastructure (either by Ground or by Air). It
implemented
transponders for guidance and tracking of all motorized vehicles that
carried this technology. This would mean that every vehicle with a G.P.S
tracking device would be monitored and tracked by transponders over a
relegated land.
The issue we see today is how far apart they must be placed. Separated by a minimum to minimize any and all feedback (distortion of signal), and by a maximum to prevent any and all loss of signal. Essentially this could take us to the point of every vehicle traveling above ground level as space in the future would be imperative.
Transformers, Algorithms, and Synthesis
The connecting of the dots sort of speak. Taking one algorithm and connecting it to another
algorithm by using the practice of reverse polarization (silicon – crystal tolerance), A.K.A as
Phase shift (or normalization – the premise of opposites attract by Sir Isaac Newton) in the digital domain – defined ions and the relationships with each-other. This is synonymous to a child playing with LEGO or building blocks. By creating connections from one algorithm to the next a picture takes place, and this is the basis of synthesis. Digital Editing Software include;
Pro-Tools by Digidesign
Sound-forge by Sonic Solutions (Sony)
Cu-base by Steinberg
Sonar by Cakewalk (I.B.M)
Sound Designer by Apple
Incorporating guard-bands, algorithms, envelopes, and filtering in converting sound into synthesis allows for an exact, precise measurement of Temporal and Spacial Time. This in its’ purest form is absolute zero (the gist). It is also known as a chronological event (legend), or chronicles – interpretations of events (documentation) / interpolation – Jedi.
Examples of synthesis (specific designs);
Moog
Oberheim
Hammond
Saw Tooth Waves
Triangle Waves
Sin Waves
Co-Sin Waves (reverse polarization in relation to a Sin Wave)
Square Waves
Each form of synthesis has its’ own set of guard-bands, algorithms, envelopes, and filtering.
Each transformer has its own circuitry and is interfaced systematically from transformer to transformer (and in the digital domain incorporates a transference using crystal tolerance -as precise as can be, to preserve data transfer through each resister component using Pulse Code Modulators in order to transfer digital information from the source to its’ monitors). In the old days (back in the 60’s) the highest level of tolerance used on resistors was Gold, and it’s still used in electronic designs for vintage productions.
Just an analogy;
Now you know everything. Will you wake up tomorrow?
The truth is that no-one will ever know everything. The Creator of the Universe has all the information in the World, and, all the Money in the World. She told me so. The Creator of the Universe uses 384 bit technology and she doesn’t want everyone to know everything she knows.
20-bit isn’t that bad.
The issue we see today is how far apart they must be placed. Separated by a minimum to minimize any and all feedback (distortion of signal), and by a maximum to prevent any and all loss of signal. Essentially this could take us to the point of every vehicle traveling above ground level as space in the future would be imperative.
Transformers, Algorithms, and Synthesis
The connecting of the dots sort of speak. Taking one algorithm and connecting it to another
algorithm by using the practice of reverse polarization (silicon – crystal tolerance), A.K.A as
Phase shift (or normalization – the premise of opposites attract by Sir Isaac Newton) in the digital domain – defined ions and the relationships with each-other. This is synonymous to a child playing with LEGO or building blocks. By creating connections from one algorithm to the next a picture takes place, and this is the basis of synthesis. Digital Editing Software include;
Pro-Tools by Digidesign
Sound-forge by Sonic Solutions (Sony)
Cu-base by Steinberg
Sonar by Cakewalk (I.B.M)
Sound Designer by Apple
Incorporating guard-bands, algorithms, envelopes, and filtering in converting sound into synthesis allows for an exact, precise measurement of Temporal and Spacial Time. This in its’ purest form is absolute zero (the gist). It is also known as a chronological event (legend), or chronicles – interpretations of events (documentation) / interpolation – Jedi.
Examples of synthesis (specific designs);
Moog
Oberheim
Hammond
Saw Tooth Waves
Triangle Waves
Sin Waves
Co-Sin Waves (reverse polarization in relation to a Sin Wave)
Square Waves
Each form of synthesis has its’ own set of guard-bands, algorithms, envelopes, and filtering.
Each transformer has its own circuitry and is interfaced systematically from transformer to transformer (and in the digital domain incorporates a transference using crystal tolerance -as precise as can be, to preserve data transfer through each resister component using Pulse Code Modulators in order to transfer digital information from the source to its’ monitors). In the old days (back in the 60’s) the highest level of tolerance used on resistors was Gold, and it’s still used in electronic designs for vintage productions.
Just an analogy;
Now you know everything. Will you wake up tomorrow?
The truth is that no-one will ever know everything. The Creator of the Universe has all the information in the World, and, all the Money in the World. She told me so. The Creator of the Universe uses 384 bit technology and she doesn’t want everyone to know everything she knows.
20-bit isn’t that bad.
No comments:
Post a Comment